South African music is travelling the world, and Zakes Bantwini is making sure its roots remain part of the story. Fresh from a European tour that took him across some of the continent’s major music destinations, the Grammy Award-winning artist is bringing that international energy home with Golden Hour, an eight-minute documentary produced by Corona Studios.
Directed by filmmaker and photographer Maurice Koekemoer, the film offers a glimpse into the life behind the performances, capturing the people, places and quieter moments that shape an artist whose sound continues to carry African house music onto the global stage.
Now available on YouTube, Golden Hour arrives as Bantwini prepares for a busy South African summer filled with festivals, live performances and opportunities to reconnect with the audiences who helped build his journey.

From South Africa to Europe’s Dance Floors
The documentary follows Bantwini through Palma de Mallorca, Lisbon, Hamburg and Berlin during his 2026 European tour. International crowds and major stages provide the backdrop, but the bigger story is the growing influence of South African music within global electronic culture.
In Mallorca, Bantwini shares the decks with fellow South African DJ and producer Shimza. In Berlin, he connects with international DJ Diplo during the Rave The Planet Parade, a celebration of electronic music culture.
These moments reflect more than an artist securing international bookings. They demonstrate how South African musicians are increasingly participating in global conversations about dance music, bringing their own sounds, identities and creative perspectives into spaces that influence the wider industry.
The documentary also highlights the importance of collaboration, showing how connections between artists can help bridge local scenes and international audiences.

The Power of Slowing Down
Beyond the performances, Golden Hour explores a side of touring that audiences do not always get to see.
Scenes of sailing through Hamburg, exploring Lisbon’s historic streets and enjoying sunsets before showtime create space for Bantwini to reflect on the journey. Instead of focusing exclusively on the spectacle, the film offers a more personal look at the discipline and presence required to sustain a demanding international career.
That perspective gives the documentary its lifestyle appeal. In a culture where success is often measured through visibility, constant movement and the next big achievement, taking time to appreciate the journey becomes part of the story.
Rooted in Corona’s This Is Living philosophy, the film connects music, travel and meaningful human experiences. It suggests that the moments between performances can be just as valuable as the applause itself.

Building a Bigger Platform for African Talent
Bantwini’s international momentum extends beyond his own performances. Through his record label, Mayonie Productions, he recently hosted an Amsterdam Dance Event showcase featuring emerging and established South African Afro House talent, including Samurai Yasusa, BlaqRhythm and Thandi Draai.
The showcase placed additional attention on the artists helping shape the genre’s future, highlighting the importance of creating opportunities for South African talent to reach international audiences.
For the local music industry, that kind of visibility matters. Global recognition can open doors, but sustainable growth also depends on developing talent, building networks and creating platforms where the next generation can be heard.
Bantwini’s work across performance, collaboration and artist development places him within a wider movement that is taking African electronic music beyond the dance floor and into the global cultural conversation.

A South African Summer of Music
The international chapter now leads into a homecoming season featuring several major performances.
Bantwini is scheduled to appear at the Corona Sunsets Summer Tour at Menlyn Park Lawns in Pretoria on 21 November 2026, followed by Dimawe in Manyana, near Gaborone, on 12 December and Manor House in Ballito on 19 December.
He will also headline the Mayonie Open Air Festival in Johannesburg on 29 November, with Corona as the official beer partner.
For South African fans, these dates offer an opportunity to experience the energy behind the international journey on home soil. They also underline the role that festivals and live events play in connecting artists with audiences while supporting the country’s vibrant music culture.
Golden Hour ultimately tells a story about more than international success. It is about carrying South African identity into new spaces, creating opportunities for other artists and remembering the people and experiences that make the journey worthwhile.









