South African television has never been short of stories worth telling. But creating productions that capture local audiences while attracting international attention requires more than a good script. It takes creative partnerships willing to take risks, challenge familiar storytelling formats and invest in stories that reflect the complexity of African experiences.
That is the thinking behind the renewed creative partnership between MultiChoice Group, a CANAL+ company, and award-winning production house Stained Glass TV, with a new dark psychological thriller already generating anticipation.
The announcement, made during FAME Week Africa 2026 in Cape Town, signals another chapter in a relationship responsible for some of South Africa’s most recognisable television productions.

A Partnership Built on Stories That Resonate
Founded by Kobedi “Pepsi” Pokane and Gugu Zuma-Ncube, Stained Glass TV has established itself as an influential player in South Africa‘s television industry.
Its previous collaborations with MultiChoice have delivered productions such as The Wife, Lingashoni and eHostela – projects that demonstrate the appetite for locally developed stories with strong characters, distinctive perspectives and cultural relevance.
These productions have contributed to a television landscape where South African experiences are not simply background details but central to the storytelling.
For audiences, that matters. Viewers want characters they recognise, conversations that feel familiar and narratives that reflect the realities, ambitions and contradictions of the communities around them.
Stained Glass TV has consistently explored that space, building a catalogue that connects entertainment with distinctly African perspectives.

A Darker Direction for African Storytelling
The biggest tease from the announcement was the upcoming psychological thriller, which Nomsa Philiso, Chief Content Officer: Africa at MultiChoice Group, revealed during the FAME Week Africa session.
Although specific plot details, casting and release information remain under wraps, the project was described by executives as a “full-circle moment” in the companies’ creative journey.
Psychological thrillers offer an opportunity to explore more than suspense. They can examine power, identity, relationships, secrets and the darker corners of human behaviour.
For South African producers, the genre also presents an opportunity to experiment with storytelling that moves beyond familiar television formulas.
The question is how this new production will approach the genre while maintaining the cultural authenticity that has helped make previous Stained Glass TV projects successful.
That creative balance could make the project particularly interesting in an increasingly competitive entertainment market.

From Local Success to International Ambitions
Stained Glass TV‘s growing international profile, including its work and partnerships with Netflix, reflects another important shift in the South African entertainment industry.
Local production companies are increasingly demonstrating that African stories can travel without losing the cultural details that make them distinctive.
This is an important opportunity for South African creatives, from writers and directors to actors, editors and technical production teams.
International distribution can create new commercial possibilities, but sustainable growth also depends on maintaining strong local production relationships and developing original intellectual property.
For MultiChoice, continuing its relationship with established production houses is part of maintaining a pipeline of premium African content.
Philiso described the renewed partnership as an opportunity to continue challenging creative boundaries while remaining connected to African audiences.

The Future of Local Television Is Collaborative
The announcement comes alongside MultiChoice’s confirmation that Die Kantoor, South Africa‘s adaptation of The Office, will return for a second season.
Together, the announcements point to an entertainment landscape where established partnerships, fresh creative directions and investment in local productions remain important.
For audiences, the real excitement lies in what comes next. South African television has the talent, cultural depth and creative ambition to compete on a global stage.
The challenge is ensuring that the industry continues creating opportunities for local storytellers to experiment, take risks and tell stories that could not have come from anywhere else.
And if the next Stained Glass TV and MultiChoice collaboration delivers on its psychological thriller promise, viewers could be in for something considerably darker than their usual television experience.









