The upcoming release of Children Of Zu Zu Remixes by Charles Petersohn, arriving on 08 May 2026, reimagines an already celebrated body of work through a vibrant spectrum of sound. Expanding on the original Children Of Zu Zu EP, this remix package delivers a rich fusion of styles—from jazzy broken beats to afro and deep house—crafted by an eclectic lineup of artists including Mary Olivetti, Moodorama, als420, Viktor Marek, The Greater Manchester Housing Authority, and Petersohn himself.
What sets this project apart is its artistic philosophy: each remix stands as a fully realized piece of art rather than a simple reinterpretation. Petersohn emphasizes that the collaborators embraced creative freedom, transforming the original tracks into deeply personal sonic expressions. The result is a collection that feels both cohesive and refreshingly unpredictable.

The remix bundle also features a special collaboration with “Music Minds” duo Peter Stephan and Joachim Litty, adding yet another dimension to the project’s layered soundscape. This diversity reflects the evolution of Petersohn’s musical journey since his return after an 18-year hiatus.
The momentum behind Children Of Zu Zu has extended beyond the studio. A series of live performances and DJ sets throughout the past year have helped shape a growing creative collective known as the Zu Zu Family. The upcoming release party at LOCH in Wuppertal promises to capture this energy, blending live music, spoken word poetry, and immersive performance elements.

Originally praised for its elegant blend of deep house, Afro-Brazilian rhythms, ambient jazz, and experimental textures, the Children Of Zu Zu EP quickly sold out after its release in 2025. With its reissue and now this expansive remix edition, the project continues to resonate with global audiences.
As anticipation builds, fans can expect more audiovisual content, including a trailer showcasing highlights from live shows and DJ sessions. Children Of Zu Zu Remixes is not just a continuation—it’s a bold reimagining that reinforces the idea that music, in all its forms, remains a limitless canvas.
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