South Africa’s next generation of creatives does not need another reminder to dream big. It needs opportunities to be seen, heard and taken seriously. That was the energy at the Mahindra Fusion Fest Talent Search at the University of Johannesburg’s Kingsway Campus on Friday, 9 October 2026, where music, fashion, art and youth culture came together in one colourful celebration.
Hosted by Moozlie, the event brought students into a creative space where talent was not limited to what happens behind a microphone. From custom merchandise and artistic expression to live performances, Mahindra Fusion Fest made a case for creativity as something to explore, share and turn into opportunity.
And with Nasty C stepping in as the competition’s music mentor, the message to aspiring artists was clear: sometimes, the first step towards a bigger future is simply putting yourself out there.

Nasty C’s Message: Talent Needs Visibility
Following his performance, Nasty C joined Moozlie for a conversation about the courage it takes to enter a competition and put your work in front of an audience.
His advice was refreshingly direct. Talent alone is not always enough if nobody gets the opportunity to experience it.
Encouraging aspiring musicians and other creatives to participate, the rapper reminded students that platforms like Fusion Fest can help bridge the gap between having potential and getting noticed.

He also challenged the idea that established artists are fundamentally different from those still trying to break through. In his view, the difference is not necessarily talent, but visibility and the willingness to take a chance.
For young South Africans navigating an increasingly competitive creative industry, that message matters. The journey from bedroom recordings and university performances to professional opportunities can feel distant. Spaces that allow emerging talent to perform, experiment and connect with established names can help make that journey feel more achievable.
Thando Micky Represents the Next Wave
The programme also celebrated Thando Micky, the 2026 Music Talent Search winner, whose place on the bill highlighted the festival’s focus on emerging talent alongside established performers.

Putting a competition winner in the same performance environment as an artist like Nasty C creates a valuable moment of visibility. It allows audiences to discover a new voice while giving the emerging performer an opportunity to reach beyond their existing circle.
The bigger question is what follows the spotlight. For talent competitions to create lasting impact, recognition needs to translate into meaningful development, industry relationships and opportunities to grow.
That is where the longer-term value of platforms such as Fusion Fest will ultimately be measured.

Kids Love Jazz Is Making the Genre More Accessible
Beyond the main stage, Urban Lifestyle also caught up with Lulu from Kids Love Jazz, a creative movement working to nurture appreciation for jazz and make the genre more accessible to a wider audience.
Lulu explained that the initiative wants to encourage people to love jazz while ensuring the music is nurtured and documented. Rather than positioning jazz as something reserved for a select audience, Kids Love Jazz is interested in creating space between established jazz culture and people who may be discovering the genre for the first time.
The movement also uses merchandise as a way to extend its identity beyond performances and curated shows. Its T-shirts and other products give supporters a way to participate in the culture, even when they are not attending an event.

Through its involvement in Fusion Fest, Kids Love Jazz was able to sell merchandise and introduce its message to a campus audience.
It is a reminder that creative entrepreneurship does not always begin with a major record deal or a gallery exhibition. Sometimes, it starts with a community, a clear idea and products that help people connect with what that idea represents.
Music, Fashion and Art Belong in the Same Conversation
What makes Fusion Fest interesting is its willingness to bring different creative disciplines into the same space. Music draws the crowd, fashion becomes a statement of identity, and art provides another way for young people to express themselves.

For South African students, these intersections reflect how contemporary culture actually works. Artists build visual identities, designers collaborate with musicians, and communities grow around shared interests that extend beyond a single performance.
With merchandise, activations and giveaways running throughout the day, the festival offered more than a traditional concert experience.
Next Stops: Durban and Johannesburg
The campus journey continues at Durban University of Technology’s Curries Fountain Field on Tuesday, 13 October, from 09:00 to 15:00. Performances by Moozlie, Nasty C and Thando Micky are scheduled for 12:30 to 13:30.

The following day, Wednesday, 14 October, the festival heads to the University of the Witwatersrand’s Library Lawns, also from 09:00 to 15:00, with performances scheduled for 13:15 to 14:15.

For young creatives, these events offer a chance to experience the energy firsthand, discover different artistic communities and consider what it means to put their own work out into the world.
The most important takeaway from the Johannesburg stop is simple: South Africa has no shortage of creative ambition. The challenge is building more spaces where that ambition can meet an audience, find its community and take its next step.













